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John Egerton Christmas Piper CH (13 December 1903 – 28 June 1992) was an English painter, printmaker and designer of stained-glass windows and theatre sets. His work often focused on the British landscape, especially churches and monuments, and included tapestry designs, book jackets, screen-prints, photography, fabrics and ceramics. He was educated at Epsom College and trained at the Richmond School of Art followed by the Royal College of Art in London.〔Mary Chamot, Dennis Farr, Martin Butlin (1964–65). ''The Modern British Paintings, Drawings and Sculpture'', volume II. London: Oldbourne Press; cited at (Artist biography: John PIPER b. 1903 ). Tate. Accessed February 2014.〕 He turned from abstraction early in his career, concentrating on a more naturalistic but distinctive approach. He was an official war artist in World War II. Piper collaborated with many others, including the poets John Betjeman and Geoffrey Grigson on the Shell Guides,〔''Archaeology: A reference handbook'' by Alan Edwin Day, page 254. ISBN 978-0-208-01672-0.〕〔''Guide to Reference Books '' by Eugene P. Sheehy, page 636. ISBN 978-0-8389-0390-2.〕 and with the potter Geoffrey Eastop and the artist Ben Nicholson. In his later years he produced many limited-edition prints. ==Early life== John Piper was born in Epsom, Surrey, the youngest of three sons to the solicitor Charles Alfred Piper and his wife Mary Ellen Matthews. During Piper's childhood, Epsom was still largely countryside. He went exploring on his bike, and drew and painted pictures of old churches and monuments on the way. He started making guide books complete with pictures and information at a young age. Piper's brothers both served in the First World War and one of them was killed at Ypres in 1915.〔 John Piper attended Epsom College from 1919 but he did not like the college but found refuge in art. When he left Epsom College in 1922, Piper published a book of poetry and wanted to study to become an artist. However, his father disagreed and insisted he join the family law firm, Piper, Smith & Piper in Westminster. Piper worked beside his father in London for three years, took articles but refused the offer of a partnership in the firm. This refusal cost Piper his inheritance but left him free to attend Richmond School of Art. At Richmond, the artist Raymond Coxon prepared him for the entrance exams for the Royal College of Art, RCA, which Piper entered in 1928. While studying at Richmond, Piper met Eileen Holding, a fellow student whom he married in August 1929.〔 Piper disliked the regime at the RCA and left in December 1929. Piper and Holding lived in Hammersmith and held a joint exhibition of their artworks at Heal's in London in 1931. Piper also wrote art and music reviews for several papers and magazines. One such review, of the artist Edward Wadsworth's work, led to an invitation from Ben Nicholson for Piper to join the Seven and Five Society of modern artists.〔 In 1934 Piper met Myfanwy Evans and early the next year, when Eileen Holding left Piper for another artist, the two moved into an abandoned farmhouse at Fawley Bottom in the Chilterns near Henley-on-Thames. In the following years Piper was involved in a wide variety of projects in several different media. He drew a series on Welsh nonconformist chapels, produced articles on English typography and made arts programmes for the BBC. Through Myfanwy Evans, Piper met John Betjeman in 1937 and Betjeman asked Piper to work on the Shell Guides he was editing. Piper wrote and illustrated the guide to Oxfordshire, focusing on rural churches. In March 1938 Stephen Spender asked Piper to design the sets for his production of ''Trial of a Judge''. Piper's first one-man show in May 1938 included abstract paintings, collage landscapes and more conventional landscapes. His second in March 1940 at the Leicester Galleries, featuring several pictures of direlect ruins, was a sell-out.〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「John Piper (artist)」の詳細全文を読む スポンサード リンク
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